Before and After — Green Wave

The Before and After series focuses on the two or three key creative choices, in terms of composition and processing, that go into creating an image.  Specific technical details about the shot have been left out — you won’t hear me talking about tone curve adjustments and whatnot unless it was a key component of the end result.

A lone surfer rides a wave at Steamer Lane.

Exposure

  • Shutter:  1/2000
  • Aperture:  f/4.0
  • ISO: 400
  • Camera:  Canon EOS 1Ds Mark III
  • Lens:  Canon EF 300mm f/2.8L IS USM + 1.4x Extender (420mm total)

Composition and Processing

  • This probably would have been a nice shot a little closer, framing the surfer against the backlit wave, but 420mm was the extent of my reach.  Instead I went for the larger context of the relationship between the surfer and the wave as a whole, particularly the sense of scale.
  • To exaggerate the uniformity of the wave and lighting, I cropped this as a pano, leaving very little beyond the surfer to break or distract from the even surface.

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April 26 2012 | Photography | No Comments »

Before and After — Green and Brown

The Before and After series focuses on the two or three key creative choices, in terms of composition and processing, that go into creating an image.  Specific technical details about the shot have been left out — you won’t hear me talking about tone curve adjustments and whatnot unless it was a key component of the end result.

Some brown and green leaves along the Skyline to the Sea trail in Big Basin State Park.

Exposure

  • Shutter:  1/125
  • Aperture:  f/2.8
  • ISO: 800
  • Camera:  Canon EOS 1Ds Mark III
  • Lens:  Canon EF 85mm f/1.2L II USM

Composition and Processing

  • Almost everything was green during the late spring when I did this hike with my dad.  We used to go all the way to the sea and back when we were both younger, but this time around we only went about 4 miles out before turning around and heading back.  Everything along the way was green due to the wet winter and spring, so these reddish brown leaves easily stood out.  I switch to f/2.0 to really isolate them, and then shot at an angle that would position more green foliage in the background.  In hindsight, I think f/4 would have been better:  the background still would have been pretty soft and the green leaves in the foreground would have been as sharp as the brown ones.  That would have connected the foreground leaves better to each other and limited this to two planes of focus instead of three.

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April 03 2012 | Photography | No Comments »

Before And After — All Threes, And Maybe Some Twos…

The Before and After series focuses on the two or three key creative choices, in terms of composition and processing, that go into creating an image.  Specific technical details about the shot have been left out — you won’t hear me talking about tone curve adjustments and whatnot unless it was a key component of the end result.

A patch of green three leaf clovers in Big Basin State Park, along the Skyline to the Sea trail.

Exposure

  • Shutter:  1/60
  • Aperture:  f/2.8
  • ISO: 800
  • Camera:  Canon EOS 1Ds Mark III
  • Lens:  Canon EF 85mm f/1.2L II USM

Composition and Processing

  • This felt like a shot that should be pretty flawless as far as the subject goes.  Patching the chewed up leaves on the right, not to mention the larger gaps on both the top and right, was more work than necessary for this image.  So I simply cropped in tighter and removed some of the twigs and dirt on the rest of the leaves.
  • There’s no specific focus to this image, the eye simply wanders.  It’s all pattern and color.  Given that, I really punched up the green.  Shots like these are always the ones I look back on years later and cringe at the processing, but for now I’m ok with it.

Original:


March 28 2012 | Photography | No Comments »